25 Impressions of the 1893 World’s Fair

Toward the close of the 1893 World’s Columbian Exposition in Chicago, The Critic invited twenty-five notable scholars, writers, and leaders of the day to offer their brief impressions of the World’s Fair. At such a monumental event with so many novelties … what impressed them the most? It is interesting how frequently these contributors sing the same notes as they rhapsodize about the fairgrounds at night and the illumination of the Court of Honor, praise (except for Henry Fuller!) [...]

The Fair as a Spectacle, Part 2: In Search of the Picturesque

Continued from Part 1 [Note: This text includes names and descriptions now considered culturally disparaging. Please see our statement on “Potentially Offensive Text and Images.”] THE FAIR AS A SPECTACLE. How it seemed to a visitor—Strolling and dreaming by day and by night. By Charles Mulford Robinson Part 2: In Search of the Picturesque But in that brief view a lesson was also taught you which you took to heart at once. It was that the charm of the [...]

The Making of the White City (Part 2)

[Continued from Part 1] A great stage decked with ambitious scenery Perhaps the first thing that would strike a stranger entering the World’s Fair grounds in the summer of 1892 would be the silence of the place, the next the almost theatrical unreality of the impression by the sight of an assemblage of buildings so startlingly out of the common in size and form. When I speak of the silence, I mean the effect of silence. There are seven [...]

Childe Hassam painting of the 1893 World’s Fair sells for $44,000

American impressionist painter Childe Hassam (1859–1935) created several paintings of the 1893 World’s Columbian Exposition fairgrounds. He visited Chicago for the first time in 1892 to prepare his works that depicted what the World’s Fair would look like when open the following year. He also exhibited five oil paintings and five watercolors in the Palace of Fine Arts. An original 1893 World’s Fair painting by Hassam sold for $44,000 in the Heritage Auctions American Art Signature Auction #8099 on [...]

By |2022-11-13T12:44:26-06:00November 13th, 2022|Categories: ANTIQUES, NEWS|Tags: , , , |0 Comments

Singles Night at the 1893 World’s Fair

In the era before dating apps, how were singles to meet? One Chicagoan in 1893 proposed a special day on the fairgrounds of the World’s Columbian Exposition for not-so-young-and-still-unattached visitors. The October 21, 1893, issue of the Chicago Inter Ocean carried the following Letter to the Editor, signed “A. LS.” (presumably one of the “autumn lassies” mentioned in the letter?). Although the Fair held many “special days”—for groups ranging from North Dakotans to Nicaraguans, French Engineers to Fishermen—the author’s [...]

By |2022-10-12T12:11:30-05:00October 30th, 2022|Categories: REPRINTS|Tags: , |0 Comments

Did the Art Institute of Chicago lions come from the 1893 World’s Fair? (Pt 2)

The pair of lion sculptures by Edward Kemeys that stand in front of the Art Institute of Chicago (AIC) are not cast from sculptures at the 1893 World’s Fair. This misinformation, which appears to have originated in the late 1980s, now permeates descriptions of these iconic Chicago mascots in institutional, popular, and scholarly sources. A set of sixteen lion sculptures stood at the entrances to the Palace of Fine Arts at the World’s Columbian Exposition (WCE), and numerous contemporary sources credit their authorship to A. Phimister Proctor and Theodore Baur (not Kemeys). More importantly, the designs of Kemeys’ AIC lions clearly do not match any of the WCE lions.

Did the Art Institute of Chicago lions come from the 1893 World’s Fair? (Pt 1)

The pair of lion sculptures by Edward Kemeys that stand in front of the Art Institute of Chicago (AIC) are not cast from sculptures at the 1893 World’s Fair. This misinformation, which appears to have originated in the late 1980s, now permeates descriptions of these iconic Chicago mascots in institutional, popular, and scholarly sources. A set of sixteen lion sculptures stood at the entrances to the Palace of Fine Arts at the World’s Columbian Exposition (WCE), and numerous contemporary sources credit their authorship to A. Phimister Proctor and Theodore Baur (not Kemeys). More importantly, the designs of Kemeys’ AIC lions clearly do not match any of the WCE lions.

137. Picturesque World’s Fair – North and West from the Government Building

NORTH AND WEST FROM THE GOVERNMENT BUILDING.—From the dome of the Government Building the prospect north and west afforded as much variety as could be had from any point of observation of the Fair Grounds, since in other directions the view was either much shorter or was cut off by the huge department structures. The illustration shows the Fisheries in the foreground, the details of the south façade of the main building outlined very clearly at such short distance. [...]

When Miss Inquisitive Poked Hercules at the 1893 World’s Fair

For six months in 1893, much of the world’s greatest artworks were on exhibit in the Art Place at the World’s Fair in Chicago. Not everyone in town knew how to behave themselves around it. The Palace of Fine Arts by Childe Hassam. Within weeks of the opening of the Columbian Exposition, one oil painting was nearly damaged by an overly enthusiastic visitor to the galleries. Hercules Wrestling with Death for the Body of Alcestes was one [...]

By |2023-04-09T09:01:06-05:00January 25th, 2022|Categories: HISTORY|Tags: |0 Comments

124. Picturesque World’s Fair – State Buildings Looking South

STATE BUILDINGS—LOOKING SOUTH.—The city of State Buildings at the north end of the Fair Grounds afforded many interesting bird's-eye views, of which one of the prettiest is given in the accompanying illustration. The view taken is from an elevated point at the northern extremity of the inclosed area, and very nearly at the center east and west. In the foreground, at the right, appears the log-built chalet of Idaho, beyond which is the Maryland Building, the gable of that [...]

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