[Continued from Part 1] A great stage decked with ambitious scenery Perhaps the first thing that would strike a stranger entering the World’s Fair grounds in the summer of 1892 would be the silence of the place, the next the almost theatrical unreality of the impression by the sight of an assemblage of buildings so startlingly out of the common in size and form. When I speak of the silence, I mean the effect of silence. There are seven [...]
The pair of lion sculptures by Edward Kemeys that stand in front of the Art Institute of Chicago (AIC) are not cast from sculptures at the 1893 World’s Fair. This misinformation, which appears to have originated in the late 1980s, now permeates descriptions of these iconic Chicago mascots in institutional, popular, and scholarly sources. A set of sixteen lion sculptures stood at the entrances to the Palace of Fine Arts at the World’s Columbian Exposition (WCE), and numerous contemporary sources credit their authorship to A. Phimister Proctor and Theodore Baur (not Kemeys). More importantly, the designs of Kemeys’ AIC lions clearly do not match any of the WCE lions.
We should expect to encounter a fool on April 1st, and visitors to the 1893 World’s Columbian Exposition could have met a striking fool hanging in the Palace of Fine Arts. Thomas Shields Clarke's oil painting A Fool's Fool (1887) was on display at the 1893 World's Columbian Exposition. [Image from the Pennsylvania Academy of the Fine Arts.] A Fool's Fool (1887) was a work by artist Thomas Shields Clarke (1860–1920) on display in Gallery 7. The 39 [...]
Frank Lloyd Wright was known for his Cherokee red, and Maxfield Parrish had his own blue. Diana Vreeland was known for wearing red, and Shelby Latcherie’s colors were "blush" and "bashful" (a.k.a “pink” and “pink”). Icons often have a signature color. In October of 1892, Chicago excitedly prepared for her coming out ball. The world soon would arrive to see the Fair, and downtown businessmen decided to decorate their city for the occasion. Chicago needed a signature color. An object [...]
[Part I of this article describes Dodge’s commission to paint a mural for the 1893 World’s Columbian Exposition and his work to create The Glorification of the Arts and Sciences.] PART II: THE PROCESSION BEFORE THE THRONE OF APOLLO “… illuminated by the opal-like circle of light at the summit, Dodge’s great picture crowns the whole, with its circling procession of arts and sciences, gods and muses, nymphs and graces, and Apollos radiant in the midst.” —Lawrence L. Lynch in [...]
PART I: DECORATING THE DOME OF THE ADMINISTRATION BUILDING “Fame comes only after death to those who have slaved during life.” —William de Leftwich Dodge The gem and crown of the Exposition Along with the Ferris Wheel and the Statue of the Republic, this magnificent structure is one of the most iconic images of the 1893 World’s Fair. With its grand and golden dome, the Administration Building towered over the fairgrounds from a commanding position of honor at the [...]
The Great Transformation Scene This is Part 10 of our series “Opening Day of the World’s Fair,” which explores the events of May 1, 1893, at the World’s Columbian Exposition in Chicago. The full series can be found here. As the last words fell from his lips at the conclusion of his short address, President Grover Cleveland placed his finger on the telegraph key. With his hand touching the electric switchboard, a chrysalis transformation scene was about to begin [...]
