Continued from Part 3 THE FAIR AS A SPECTACLE. How it seemed to a visitor—Strolling and dreaming by day and by night. By Charles Mulford Robinson Part 4: A Transformation Scene In such a mental condition, the best thing one could do was to take the Intramural Electric Railroad, itself a scientific exhibit, to the southern end of the grounds, and there to visit La Rabida. This was not part of a dream city, but of the living world—the [...]
Continued from Part 2 [Note: This text includes names and descriptions now considered culturally disparaging. Please see our statement on “Potentially Offensive Text and Images.”] THE FAIR AS A SPECTACLE. How it seemed to a visitor—Strolling and dreaming by day and by night. By Charles Mulford Robinson Part 3: An Enormous Whirligig of Pleasure The entrance to the Plaisance was directly beyond this building. Serious purposed womanhood, as personified by the structure, stood before the Plaisance, blocking the way [...]
Continued from Part 1 [Note: This text includes names and descriptions now considered culturally disparaging. Please see our statement on “Potentially Offensive Text and Images.”] THE FAIR AS A SPECTACLE. How it seemed to a visitor—Strolling and dreaming by day and by night. By Charles Mulford Robinson Part 2: In Search of the Picturesque But in that brief view a lesson was also taught you which you took to heart at once. It was that the charm of the [...]
Continued from Introduction THE FAIR AS A SPECTACLE. How it seemed to a visitor—Strolling and dreaming by day and by night. By Charles Mulford Robinson Part 1: “Behold my grandeur!” As a loving word rings in the heart when the voice that breathed it is still, as a beautiful face dwells in Memory’s kingdom after years have flown, and a noble deed still lives though its occasion be passed, so the beauty of the Fair, written anew in thousands [...]
“The Columbian Exposition had a decidedly reformist influence,” writes World’s Fair historian Reid Badger, “and there is little question that it was at least an indirect factor in the development of the ‘City Beautiful’ movement.” [Badger 115] Among the great urban planning pioneers influenced by the 1893 World’s Fair was Charles Mulford Robinson (1869–1917). Urban-planning pioneer Charles Mulford Robinson memorialized the 1893 World’s Columbian Exposition in his essay “The Fair as a Spectacle.” [Image from Johnson, Rossiter A [...]
SECTIONS OF TIMBER AND GLADSTONE'S AX.—One of the great " show pieces " in the Forestry Building had a personal attraction in that the implement actually used in chopping by one of the most famous men in the world formed a portion of the exhibit. This was the ax, with its history properly attested, which had been used by Mr. Gladstone in cutting down a tree upon his eightieth birthday. In the center of the building stood a collection [...]
The magnificent Ferris Wheel on the Midway Plaisance of the World’s Columbian Exposition opened to the public on June 21, 1893. Some first-hand accounts of riding in the mechanical monster capture the thrill of what it felt like for those first passengers—many of whom may have never even been in a building with more than a few floors tall—to be lifted into the air. A special correspondence to the San Francisco Morning Call (July 7, 1893) shared this experience [...]
Do you remember that time when the Vice President of the United States was refused admission to the World’s Columbian Exposition? Because Adlai Stevenson had forgotten to bring his pass that day, he was held up by a gateman just trying to follow the rules. The Boston Globe reported on a similar “comedy of errors” enacted at the 63rd Street entrance gate just three days later, on the morning of May 26, 1893: As usual, the principals were Columbian [...]
CALIFORNIA SEA LIONS IN THE GOVERNMENT BUILDING. —The California Sea Lions, which afforded such a fine illustration of the taxidermist's skill and attracted so much comment in the Government Building, were like old friends, not merely to Californians who had seen them or their relations, enjoying themselves in the waters of the coast, but to thousands of people familiar with scenes in the parks of the great cities. The Sea Lions exhibited in the Government Building were fine specimens, [...]
THE COLORADO BUILDING.—Occupying a prominent site near the popular northwestern entrance to the Exposition Grounds, and presenting a fine frontage, the Colorado Building was one of the most noticeable of State structures, and in detail fully deserved the attention it attracted. It was built in the Spanish Renaissance style, at a cost of $35,000, and was finished exteriorly in staff of an ivory color. Two slender Spanish towers, rising to a height of ninety-eight feet, gave character to the [...]
INTERIOR OF THE MINING BUILDING.—There was much in the Mines and Mining Building the value of which was not apparent save to the expert, bit there was a great deal there also which was glitteringly attractive, and a great deal that was curious even to the casual visitor. The display of gold and silver made from some of the states was striking, as were the exhibits of precious stones from different countries, and the great monuments of coal were [...]
THE STATUE OF " PLENTY."—The pieces of statuary which stood beside the portals of the great buildings or bridge approaches, or on pedestals overlooking the Grand Basin and canals and lagoons, had all definite names fitted to the idea of their conception. What Kemeys and Proctor did with wild animals Potter and French did with domestic ones, introducing them in statuary with fine effect. The Statue of " Plenty " was well conceived in the female figure leaning carelessly [...]
[Continued from Part 1] A great stage decked with ambitious scenery Perhaps the first thing that would strike a stranger entering the World’s Fair grounds in the summer of 1892 would be the silence of the place, the next the almost theatrical unreality of the impression by the sight of an assemblage of buildings so startlingly out of the common in size and form. When I speak of the silence, I mean the effect of silence. There are seven [...]
Few essays about the fairgrounds for the 1893 World’s Columbian Exposition better capture the creative energy of its construction than H. C. Bunner’s “The Making of the White City.” The American novelist, journalist, and poet Henry Cuyler Bunner (1855–1896) visited Jackson Park in Chicago during the summer of 1892. There he witnessed laborers assembling the great exhibit halls, hundreds of smaller structures, and magnificent landscaping in advance of the October 1892 Dedication Day ceremony. While Bunner employs an ornate [...]
THE SPANISH GOVERNMENT BUILDING.—It was to be expected that Spain, the country in one respect most honored by the World's Columbian Exposition, should be well represented in the displays, and that its government should enter into the broad spirit of the occasion. The Spanish government showed earnestness in its course from the beginning, not merely in assisting Spanish exhibitors but in such special direction as the building of the duplicate "Santa Maria," the flagship of Columbus, the loan of [...]
THE FRENCH COLONIES BUILDING.—Situated well over toward the southeast corner of the grounds and out of the great tide of movement, the French Colonies Building at the Exposition did not attract the attention it merited, though it attained a degree of popularity toward the close, as the interesting nature of its contents became known. Its locality was sometimes referred to as "the back yard of the Fair," though it contained many curious and beautiful displays, not the least among [...]
Hoosiers visiting the 1893 World’s Columbian Exposition in Chicago were mighty proud of the Indiana State Building. Designed by one of distinguished Chicago architect Henry Ives Cobb, the French Gothic structure stood in the southwest section of the state buildings on a lovely spot along the North Pond and nestled between the state buildings of Illinois, California, and Wisconsin. One of the twelve state buildings to receive an award for beauty of design and merit in its display, the [...]
BIRD'S-EYE VIEW OF STATE BUILDINGS—LOOKING NORTHEAST.—Very popular was the Fifty-seventh street entrance, at the northwest corner of the Exposition Grounds, situated as it was close to a railroad station and at the end of a street car cable system, and hundreds of thousands of people became, in consequence, familiar with the view given in the illustration. The scene is that presented looking to the northeast from a point near the entrance to the grounds, and is that of the [...]
As the daughter-in-law of Chicago Mayor Carter Harrison, Sr., Edith Ogden Harrison had a front-seat view of the 1893 World’s Fair. Born in New Orleans on November 16, 1862, Edith married Carter Harrison, Jr. in 1887. While he walked in his father’s footsteps, serving as mayor of Chicago from 1897–1905 and 1911–1915, Mrs. Harrison was prolific author of children’s fairy tales. Fifty-six years after the close of the Fair (and the tragic assignation of her father-in-law in his home), [...]
WEST MAIN ENTRANCE OF THE MANUFACTURES BUILDING.—Columbia Avenue, the great thoroughfare which extended north and south through the Manufactures Building, was crossed at the center by a similar broad way, and. this interior street where it terminated at the west afforded exit upon a particularly beautiful scene. Across the North Canal and at the entrance to the East Lagoon a bridge extended, over which passed and repassed the throng between the Manufactures and the group of large structures west [...]
