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Sculptures In addition to the more than 800 sculptural works exhibited in galleries of the Palace of Fine Arts and those that ornamented the great exhibit halls, sculptures also filled the grounds of the White City. Nearly all of the outdoor sculptures were made of staff; only a few were cast in bronze after the Fair. The team of artists who decorated the Columbian Exposition fairgrounds either came from the ranks of America's leading sculptors or would soon ascended [...]
BIRD'S-EYE VIEW OF THE COLUMBIAN FOUNTAIN.—It was a merit of the famous Columbian Fountain and one indicative of its quality as a great work of art that it was beautiful from whatever direction a view of it might be taken. So perfect were the relations of its parts that even a bird's-eye view gave something symmetrical and picturesque In the illustration, the observer being almost directly north and at a slight elevation, minor details of the barge are not [...]
A visit to the 1893 World’s Fair inspired Penelope Gleason Knapp to pen a romantic and effusive love letter to the wonders of the White City. With Victorian flourish, she describes her rapturous experience in the Court of Honor, “where enchantment reigns supreme.” Her memoir offers a reminder that electric illumination on such a grand scale was an overwhelming experience for many visitors from small towns in America. Penelope Gleason Knapp In 1893, twenty-two-year-old Penelope Gleason Knapp was living [...]
“The presence of the Viking ship in one of our ports and her subsequent visit to Newport and New York and the trip up the Hudson, through the Erie Canal down the Great Lakes to Chicago and the ‘White City’ marks a historical event of no small importance.” —The Chautauquan, August 1893. The Viking from Norway at the 1893 World's Fair in Chicago. [Image from Scientific American, Aug. 19, 1893.] Few attractions at the 1893 World’s Columbian Exposition [...]
Entering Battery D Armory, visitors to “Echoes of the White City” faced a replica in miniature of one of the greatest attractions of the 1893 World’s Fair
PICTURESQUE WORLD’S FAIR. AN ELABORATE COLLECTION OF COLORED VIEWS Page 84 – LOOKING NORTH FROM THE SOUTH COLONNADE LOOKING NORTH FROM THE SOUTH COLONNADE.—In the opinion of many people the most striking extended view to be had upon the Fair grounds was from the Obelisk, at the southern extremity of the South Canal, or better still, from the Colonnade immediately in its rear. From this point opened a vista nearly a mile in length terminated only by the beautiful [...]
The 1893 World’s Fair in Chicago exposed visitors to a new world. Many experienced what has been described as the "shock of the new” when facing awesome technological advances and the rich variety of human cultures on exhibition. Others felt a shock just from seeing the human form openly displayed. “No one can help noticing the frankness and more than pagan un-reserve with which contemporary artists are treating the nude, both in painting and in sculpture.” wrote Julian Hawthorne in his [...]
PICTURESQUE WORLD’S FAIR. AN ELABORATE COLLECTION OF COLORED VIEWS Page 52 – THE "FARMER'S BRIDGE" THE "FARMER'S BRIDGE." — Not a few of the prominent features of the Columbian Exposition acquired popular titles quite different from their official designation. The main entrance to the Transportation Building became known as "The Golden Door," the rolling chairs propelled largely by theological students, acquired the title of " Gospel Chariots;" the Columbian Guards were called the "Tin Soldiers," and in other directions [...]
PICTURESQUE WORLD’S FAIR. AN ELABORATE COLLECTION OF COLORED VIEWS Page 51 – THE AGRICULTURE BUILDING THE AGRICULTURE BUILDING.—Viewed from the northwest, different facades of the great Agriculture Building can be seen and a fair idea obtained of its magnitude and beauty. Though but a single story in height, most imposing effects were sought in the design of the structure and were fully realized. Its dimensions were, for the main building, eight hundred by five hundred feet, and for the [...]
