Did the Art Institute of Chicago lions come from the 1893 World’s Fair? (Pt 1)

The pair of lion sculptures by Edward Kemeys that stand in front of the Art Institute of Chicago (AIC) are not cast from sculptures at the 1893 World’s Fair. This misinformation, which appears to have originated in the late 1980s, now permeates descriptions of these iconic Chicago mascots in institutional, popular, and scholarly sources. A set of sixteen lion sculptures stood at the entrances to the Palace of Fine Arts at the World’s Columbian Exposition (WCE), and numerous contemporary sources credit their authorship to A. Phimister Proctor and Theodore Baur (not Kemeys). More importantly, the designs of Kemeys’ AIC lions clearly do not match any of the WCE lions.

A Room with a View … of Diana

In late November of 1892, Moses P. Handy moved into his new office inside the Administration Building on the Columbian Exposition fairgrounds in Jackson Park. As Chief of the Department of Publicity and Promotion, Handy had a staff of between four and forty-five, including local newspapermen Paul Hull and Sam V. Steele, both well-known among Chicago’s writers. The Chicago Times (November 29, 1892) reported on the move-in and on the Publicity Chief’s impressive view of Augustus Saint-Gaudens’ marvelous statue [...]

By |2021-05-24T10:15:31-05:00May 24th, 2021|Categories: REPRINTS|Tags: , , |0 Comments

Columbian Exposition Books from 2018

The 125th anniversary year of the World’s Columbian Exposition offered scholarship, images, and fiction relating to the World’s Fair in several new publications in 2018. Pioneers of Promotion: How Press Agents for Buffalo Bill, P. T. Barnum, and the World’s Columbian Exposition Created Modern Marketing by Joe Dobrow. University of Oklahoma Press. Communications professional and business history writer Joe Dobrow traces the origins of modern American marketing by shining the spotlight on three men: pioneers of promotion John M. [...]

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