25 Impressions of the 1893 World’s Fair

Toward the close of the 1893 World’s Columbian Exposition in Chicago, The Critic invited twenty-five notable scholars, writers, and leaders of the day to offer their brief impressions of the World’s Fair. At such a monumental event with so many novelties … what impressed them the most? It is interesting how frequently these contributors sing the same notes as they rhapsodize about the fairgrounds at night and the illumination of the Court of Honor, praise (except for Henry Fuller!) [...]

Did the Art Institute of Chicago lions come from the 1893 World’s Fair? (Pt 2)

The pair of lion sculptures by Edward Kemeys that stand in front of the Art Institute of Chicago (AIC) are not cast from sculptures at the 1893 World’s Fair. This misinformation, which appears to have originated in the late 1980s, now permeates descriptions of these iconic Chicago mascots in institutional, popular, and scholarly sources. A set of sixteen lion sculptures stood at the entrances to the Palace of Fine Arts at the World’s Columbian Exposition (WCE), and numerous contemporary sources credit their authorship to A. Phimister Proctor and Theodore Baur (not Kemeys). More importantly, the designs of Kemeys’ AIC lions clearly do not match any of the WCE lions.

Did the Art Institute of Chicago lions come from the 1893 World’s Fair? (Pt 1)

The pair of lion sculptures by Edward Kemeys that stand in front of the Art Institute of Chicago (AIC) are not cast from sculptures at the 1893 World’s Fair. This misinformation, which appears to have originated in the late 1980s, now permeates descriptions of these iconic Chicago mascots in institutional, popular, and scholarly sources. A set of sixteen lion sculptures stood at the entrances to the Palace of Fine Arts at the World’s Columbian Exposition (WCE), and numerous contemporary sources credit their authorship to A. Phimister Proctor and Theodore Baur (not Kemeys). More importantly, the designs of Kemeys’ AIC lions clearly do not match any of the WCE lions.

Christmas in the Palace of Fine Arts of the 1893 World’s Fair

More than a dozen works of art depicting Christmas themes adorned the halls of the Palace of Fine Arts at the 1893 World’s Columbian Exposition. Edwin H. Blashfield's oil painting Christmas Bells (1891). [Image from Hitchcock, Ripley The Art of the World Illustrated in the Paintings, Statuary, and Architecture of the World's Columbian Exposition. D. Appleton, 1895.] An oil painting titled Christmas Bells (1891) by Edwin H. Blashfield hung on the north wall in Gallery 1 of the [...]

By |2022-12-09T11:19:45-06:00December 25th, 2020|Categories: HISTORY|Tags: , , , , |0 Comments

THE LADY OF THE LAKE by Julian Hawthorne Part IV: The Incomparable Loveliness of the Illuminations

Author Julian Hawthorne visited the 1893 World’s Columbian Exposition in Chicago. Like so many other visitors who recorded their impressions of visiting the World’s Fair, he offered some of his highest praise for the electrical lighting of the night scene in the Dream City, a “banquet of royal beauty.” Reprinted below is the fourth and final part of Julian Hawthorne’s “The Lady of the Lake” about his June visit to the fairgrounds and published in the August 1893 issue [...]

THE LADY OF THE LAKE by Julian Hawthorne Part III: Curiosities of the Midway Plaisance

Author Julian Hawthorne visited the 1893 World’s Columbian Exposition in Chicago. Reprinted below is the third part of Julian Hawthorne’s “The Lady of the Lake” about his June visit to the fairgrounds and published in the August 1893 issue of Lippincott’s Magazine. The previous installments can be found in Part I and Part II. [NOTE: By today’s standards, some of Hawthorne’s remarks about the Midway Plaisance and citizens of the international villages sound racist. It was not uncommon for commentators [...]

THE LADY OF THE LAKE by Julian Hawthorne Part II: A Pure Delight of the Soul

Author Julian Hawthorne visited the 1893 World’s Columbian Exposition in Chicago. Reprinted below is the second part of Julian Hawthorne’s “The Lady of the Lake” about his June visit to the fairgrounds and published in the August 1893 issue of Lippincott’s Magazine. Part 1 can be found here. THE LADY OF THE LAKE by Julian Hawthorne The Palace of Fine Arts depicted in “Art Palace from the Southwest” by the Poole Brothers. [Image from Vistas of the Fair [...]

By |2019-05-26T16:34:21-05:00February 3rd, 2019|Categories: REPRINTS|Tags: , |1 Comment

THE LADY OF THE LAKE by Julian Hawthorne Part I: Sculpture in the Grand Basin

Julian Hawthorne (June 22, 1846 – July 21, 1934) was the only son of novelist Nathaniel Hawthorne and himself a journalist and author. Julian Hawthorne’s biographer notes that “as an author, he far exceeded the literary production of his famous father, composing no less than twenty-six novels and romances, over sixty short stories, almost a hundred essays, and several lengthy works of history, biography, and autobiography.” [Bassan, Maurice Hawthorne’s Son: The Life and Literary Career of Julian Hawthorne. Ohio [...]

Inside the Administration Building Dome: “The Glorification of the Arts and Sciences” by William Dodge (Part II)

[Part I of this article describes Dodge’s commission to paint a mural for the 1893 World’s Columbian Exposition and his work to create The Glorification of the Arts and Sciences.] PART II: THE PROCESSION BEFORE THE THRONE OF APOLLO “… illuminated by the opal-like circle of light at the summit, Dodge’s great picture crowns the whole, with its circling procession of arts and sciences, gods and muses, nymphs and graces, and Apollos radiant in the midst.” —Lawrence L. Lynch in [...]

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