The 1893 World's Columbian Exposition showcased harmony of architectural design and sculpture, advanced technologies to serve humanity, and education to guide moral progress. These themes are featured in the essay reprinted here, from the July 1893 issue of Catholic World. This depiction of the “East Lagoon by Moonlight” typified the dreamy quality of “the great white ephemeral city.” [Image from Picturesque World’s Fair. W.B. Conkey, 1894; digitally edited.] A CITY OF REALIZED DREAMS Wandering through the spacious [...]

Fair of the Future—Chicago’s International Exposition, A.D. 2000: Second Prize “Greatest of All” by Mary F. Arnold Continued from: Introduction First Prize: “Chicago’s World’s Fair, A.D. 2000” by Percival Owen They were smartly clad in knickerbockers and silk jackets, the latter slashed and trimmed with soft brown leather, buttoned to their throats. Each wore a belt, leggings and shoes of the brown leather and a brown sailor hat. The girl wore, also, a short silk skirt reaching to her [...]

Fair of the Future—Chicago’s International Exposition, A.D. 2000: First Prize “Chicago’s World’s Fair, A.D. 2000” by Percival Owen Continued from: Introduction The exposition was held on Lake Michigan. It was at first proposed to stand Lake Michigan on end, as was done with Lake Cayuga at the Ithaca fair of 1992.[1] The sail to Mackinaw would then have been a feature, as Hudson’s Bay and the Rocky Mountains would have been in sight; but space for buildings would then [...]

America’s favorite futurist fustigated the Fair. “The underlying motive of the whole exhibition, under a sham pretense of patriotism is business, advertising with a view to individual money-making,” wrote Edward Bellamy (March 26, 1850 – May 22, 1898) about the 1893 World’s Columbian Exposition. Bellamy’s 1888 novel Looking Backward: 2000–1887 was among the most popular and influential writings of the Gilded Age. His protagonist Julian West falls asleep in 1887 and awakens in 2000, when the United States has [...]